Max Garcia Conover bowled me over with his previous album Motorhome. “Streetlights” continues in the same vein with a bigger sound: strange patchworks of keenly observed memories set to comfortably worn melodies and Garcia Conover’s performative vocals lead to a…
Anjana Vasan’s bold EP Too Dark For Country bears a double entendre. The songs here, like most good country songs, are not particularly buoyant (though “Key Lime Pie” is delectable). But the London-by-way-of-Singapore singer-songwriter addresses the near-constant racism she endures…
Sometimes you need to take a break from trawling out your insides just to feel something. At least that’s how I am (musically!) Alan Barnosky’s Old Freight does the trick — a classic-sounding folk and bluegrass album that features some…
Fountains of Wayne hit the big time when I was in middle school. For me, they were the first band from New York that I truly fell in love with, and hearing about my hometown in songs I related to…
If there’s one narrative I’ll never get tired of, it’s the jaded sad-sack guy. It’s been a little bit since I’ve been broken through that headspace myself (is that what adulthood is? Or could be?) But something still leads me…