INTERVIEW: M. Lockwood Porter

Haven’t done one of these in a while. This time around, instead of sending a list of questions, Max and I wrote back and forth. This exchange mostly involved Max gently reminding me to ask him more questions. I appreciate…

How to Survive — Matt Woods

I spent January 1st, 2016 plunging a badly stopped up toilet, getting covered in shit, crying for hours in my bed because I couldn’t even unclog a toilet correctly and I’ll always be alone, nothing ever changes, the future is…

The Flat Five — In a World of Love and Hope

I’m not even sure where to start with this album. In a World of Love and Hope defies description — but that’s probably to be expected when you have five of Chicago’s musical luminaries concocting their mad scientist dreams together.…

Plastic Ants — Imperial Phase

If you’re looking for lushly orchestrated observations on the fleetingness of mortality then, buddy, have I got the album for you. The Plastic Ants leave no stone unturned with their sophomore release — every note feels carefully placed, but maintains…

Two Cow Garage — Brand New Flag

I typically like to review albums once they’ve been released, but watching the second presidential debate before reviewing Two Cow Garage’s latest release Brand New Flag (due Thursday) seemed fitting. When my one-percenter, Trump-supporting dad is, without irony, discussing the…

John Calvin Abney — Far Cries and Close Calls

There must be something about Tulsa that inspires thoughtful alt-country. Not sure what, though, considering it is (to me understanding) the least pedestrian-friendly and most obese city in the country. But it’s given us John Moreland, M. Lockwood Porter, and…

Happy Talk Band — Starve a Fever

Alex McMurray is involved in so many projects (many of which have been featured here), it would be easy to assume that he’s the only guitarist in New Orleans. That would certainly be true if you were an attendee of…