The Paisley Fields — Dixie Queen

Here’s a roundabout story about some simply awesome music. On Saturday, I went to Karen and the Sorrows‘ Queer Country Monthly. It was the kind of show that saves your life. While the Paisley Fields were not present at the…

The End Men — Play With Your Toys

Here’s a koan for you: what is the sound a hungry ghost makes when possessing a garage blues duo? That ghost sounds a lot like The End Men. There’s nothing zen about this Brooklyn-based duo. And unlike most Brooklyn-based duos,…

Todd May – Rickenbacker Girls

I saw Todd last Thursday down at Webster Hall. He followed a true turd of a band. A bunch of guys who were impressed with themselves for playing extended guitar solos, convinced they had invented ’70s southern rock. I’ve been…

The Creak Covers Just About Everybody

The best part of Fridays is when your lunchbreak kinda just turns into an extended break that lasts, oh, I dunno…the whole day. The Creak gave you something to fill your time with. They posted a bunch of cover videos…

IndieGoGo Alert: Kent Goolsby

Hi, folks. As you may have noticed, I neglected to post an update yesterday. It’s because I didn’t have anything to write about. I like to keep a queue five or six names deep of artists I’m excited to share…

The Quiet American – Wild Bill Jones

Wild Bill Jones is an ambitious project by an ambitious duo. Fortunately for us, The Quiet American pull it off. A concept album centered on the traditional folk song, Wild Bill Jones explores the characters’ backstories, just as it wends…

Fort Shame – Double Wide

Ah, the ’90s. That exciting moment where grunge became mainstream and the next trend was any record exec’s guess. Genres were smashed together like the Rock Giants in The Hobbit, and, like, the movie, the only real goal was to…